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The Largest Textile I’ve Blocked to Date: A Knit Lace Chuppah

detail of lace star in middle of chuppahA while back I was contacted by a young woman getting ready for her wedding.  She had a rather unusal request: she needed a lace knit chuppah for her wedding blocked.  Part of a traditional Jewish wedding is the chuppah: a canopy under which the couple stands during the wedding cerenony.  The chuppah has a lot of symbolism.  Some chuppahs can be very plain, but many of them are passed through the family, and are elaborate family herilooms made of lace and embroidery are not uncommon.

When I first spoke to the young lady, she admitted that she had gotten in touch with a few other finishers, and none of them could take on an item so large.  She estimated that the finished piece would be about 10 by 10 feet.  I have to admit, I went through the house with a measuring tape, measuring each room in my house to see if I could fit something so large.  Luckily, our kitchen with all the furniture out would work.  It was 14×14 feet – which would give me just enough room to be able to walk around it when the piece was laid out.

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Much Beloved Heirloom Crochet Tablecloth Made New

rectangular lace crochet tablecloth with center border and then outer border made up of flower motifs

rectangular lace crochet tablecloth with center border and then outer border made up of flower motifs

One of my favorite repairs, recently, has been a series of two different crochet lace tablecloths I took on.  These two pieces were both at least 30 or more years old, and were in pretty good condition.  Frank from Textile Restoration Inc in Chicago had sent the client my way.  I’ll highlight the first of the tablecloths today, and I’ll be highlighting the second of them a little later.

The first tablecloth, which I thought of as “Field of Flowers” when I worked on it, was a huge piece, at least 5 1/2 feet by 4 feet.  It was made of a center pannel of 4 x 12 motfs, an inner border of triangles, an outer set of motifs 4 deep, and then larger second outer border.

Most of the holes were areas where motifs that had been joined as the tablecloth was worked had come undone and unraveled – not uncommon, even in pieces where every single end is tightly woven in.  The areas where two motifs join together tend to be an area that recieves more stress.

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