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Review: Sock Architecture by Laura Neel

I tweeted just when Sock Architecture came out that I was really excited about the book – just based on the glimpse of the pictures I saw on Ravelry, this book was for me.

Sock Architecture is a book that focuses on the knit socks – no adornments, just the facts.  The photography reflects this dedication: the socks, heels and other techniques are photographed against a plain white background, absent of more artistic styling.  It reads more like a textbook and less like an art book.  The pages lack a glossy texture and Neel doesn’t shy away from the math.

I’m not complaining – this is the book I’ve been waiting for.

It embraces the math (no surprise, Neel’s blog is titled Math4Knitters), and talks about socks the way I think about them – in ratios and proportions.  It doesn’t dumb down the fact that knitting is a thinking person’s hobby; that there has to be a part of each knitter that can see, can think, a project into existence.

I’m about halfway through my second re-read of the book, and I thought I’d make a list of my favorite parts thus far:

  • The history part of the book is short, but informative.  I now have several places where I’m going to go to do my own research.  If you have an electronic copy of the book, the links to the pieces she’s talking about are great.
  • The mini-heels, demonstrating how each heel fits on the same model.  So great for a couple of reasons: acknowledges that not every heel is for every foot, and that you can substitute out one heel for another.
  • The attention to detail given to the different types of heel, toe, and sock construction.
  • The loving discussion of gussets, why they’re helpful, and why you nearly always want one.
  • Several-fool proof ways of measuring feet.
Now, lest the math scare you away, the whole back of the book is filled with normal, written patterns, and many of them are very, very lovely.  My favorite is the Uncommon Dragon.
I think, if you’re a dedicated sock knitter, or a sock designer, you are doing yourself a disservice to not have this book.
You can buy the book here: http://www.ravelry.com/patterns/sources/sock-architecture. I bought both the e-book and the physical book.  I have no regrets.

PPST…. it’s almost time!

This weekend I was kept hopping with exciting stuff in the background, and a set of really

wonderful classes both Saturday and Sunday.  So much fun!

This week some exciting things are happening (I want to share more, I really do, but you’ll have to wait with me – so hard!), and I’m nearly beside myself with anticipation.

So, for those of you who are up late, you’ll get a special treat: a little sneak peek.

Because I can never resist giving hints!

My favorite Reference Books

Michael and I had to travel unexpectedly this last weekend, and I ended up having to take a lot of work with me, as I had several design calls and patterns to finish up.  This meant I ended up packing several parts of my library, for reference.  I’m not sure what took up more space; the yarn, or the books.

I thought I’d share some of the books I took with me.

Around the Corner Crochet Borders by Edie Eckman:

I love this book for the fun colors and variety of orders, and how each of them is shown going around a corner, so I can think about how I’d adapt things for curves.  I love this one for the inspiration.

Crochet Edgings and Trims, edited by Kate Haxell

Another great reference, this simmer volume I use to supplement the previous one.  Between the two of these they’ve got most of the more complicated trims represented.  I occasionally come across something new, but these two make for a solid edgings collection.


Power Cables, by Lily Chin

Again, great for inspiration, though I rarely use anything in it without modifying it myself, it gives me some good thoughts on how to use texture, if the stitch is a cable or not.


The Essential Guide to Color Knitting Techniques by Margaret Radcliffe

I love her use of color, and I love the variety of stitches featured in here, especially the slipped stitch section.  I love just paging through this book when I need to refresh my brain.


The Principles of Knitting, by June Hemmons Hiatt

Whenever I need a different perspective on how to explain something, I go here.  There is truly very few things missing from this book, and I love how it’s laid out.  It’s a tomb to carry (and there’s a kindle version, but I find that I like the paper).  If you don’t own this book and you love learning the why things work, you should get it.

What do you have in your library and love to refer to?  It doesn’t have to be knitting or crochet related!

Inspirations and Influences: Witchlace

Last week KnitPicks released Witchlace, and I was barely able to create the Ravelry page and the page on my blog.  So I wanted to spend a little bit of time talking about Witchlace, why I love it, and why I think you should make it.

Witchlace is part of the KnitPicks Serenity Collection, which I’m tempted to make two or three things out of myself.  It’s worked side to side, much like Newport – and in fact, they were conceived as ideas close together.  Like Newport, Witchlace uses short rows for shaping, as the majority of the sweater is worked side to side.  Once the front, back and sleeves are done, the yoke is picked up and worked in distinctive broomstick crochet.

I LOVED working with Galileo.  It’s a beautiful, beautiful yarn and has an amazing hand.  It also lends itself well to crochet, and it comes in very vibrant and jewl-toned colors.  I would design something else in this yarn in a heartbeat – I’ve actually got a few ideas I think would work out well.

In a way, Witchlace was also heavily influenced by the design I made for Tangled Magazine: Sunburst Shawl.  Like the motifs in Sunburst, the broomstick lace in Witchlace is worked in the round – making the distinctive yoke pattern.

I have so much more to tell you about designing this pattern, but I’ll save it for my Post Mortem of Witchlace in a few days.

Witchlace


Ravelry Link Here
Published in:  Knit Picks Serenity Crochet Collection, KnitPicks
Craft: Crochet
Category: Sweater → Pullover
Published: June 2013
Yarns suggested: Knit Picks Galileo
Yarn weight: Sport / 5 ply (12 wpi)
Gauge:  20 stitches and 15 rows = 4 inches in alternating rows of sc and dc worked through the back loop
Needle size: US 19 – 15.0 mm
Hook size: 3.5 mm (E)
Yardage: 1090 – 2970 yards (997 – 2716 m)
Sizes available: 32 (34, 36, 38, 40, 42, 44, 46, 48, 50, 52, 54, 56, 58, 60, 62, 64)”

This pattern is available for download for $4.99.

Early mornings around the house, days out and about and evenings in the yard – Witchlace is a sweater that embodies all of these moments. It’s both simple and feminine, pretty yet casual; reclaiming an old technique, broomstick lace, in a more modern way. The front, sleeves and back are worked while alternating rows of DC or HDC with single crochet. A textured ribbed effect is produced by working the stitches through the back loops. All four pieces are worked flat, blocked and seamed, then the yoke is picked up from each of the pieces and worked. Finally, the broomstick lace is started in the round and alternates with rows of single crochet (worked through both loops) up to the neckline.

For more information, see: http://www.knitpicks.com/patterns/accessories-en/sweaters/witchlace-sweater.html

Got questions?  Wondering if you should make this?  This is the place to ask!

Newport and it’s Namesake

I wanted to share this story the day that it happened, but couldn’t, because it would have given things away for Classic Elite, and they like their surprises.  But now that the design is out, I can tell you about it.

I wrote the Newport design nearly ten months ago.  By October, I had put the design out of my mind, and was working on other things.  I got an email from Classic Elite; they needed me to resend my pattern and, by the way, here’s some of the pictures from the photoshoot for the sample.

The pictures, which you can see on Ravelry, or in the previous pictures in my blog, were stunning.  I could hardly contain myself.  I went to call my mother, after forwarding her the email (probably against the rules, as I’m not supposed to make public the details of my design until they publish it, but I thought my mother could be… mum. heh.)  I’d forgotten that my mother and my two grandmothers had taken a trip that weekend TO Newport.

You can’t see it so clearly in any of the pictures used for Newport, but in Bondi, pictured at right, you can see some of the resort/hotels/condos that are typical of the Newport Beaches.  While I didn’t know for certain, I mentioned to my mother and grandmothers that I *thought* they had done the photoshoot in Newport.

I should have known that was dangerous.  Before I could say more, my grandmothers had declared that they were going to look and see if they could find the stretch of beach where the pictures were taken.

My poor mother knows not to protest when my grandmothers go off on a tear.

Me?  I could hardly contain my laughter.  Mostly because had I been with them, I would have been searching the beaches too.

Week of Interviews – Rachel Coopey and Bockleton Socks

Rachel Coopey creates the most amazing socks.  And’s she’s rather prolific too.  She’s also the creator of the Bockleton Socks, which feature distinctive color-work around the ankle.  She’s stopped by to answer some questions today about her design process, plus some silly questions I threw in.

How did you come up with the colorwork and stitch pattern? 

When I was designing the colourwork patterns I used in these socks I doodled with a pencil for a while, when I came up with something I liked I transferred it to a chart making program and worked on it a bit more before I started to swatch. I wanted a textured pattern for the foot, something simple but interesting to knit.

Where there difficulties you encountered as you worked on the pattern? 
It’s important to make sure your stranded knitting isn’t too tight, it won’t have as much stretch as stockinette stitch and it need to be able to go over the heel when you put the socks on. Some knitters use a larger needle for colourwork and a smaller needle for the non-colourwork sections in order to get the same gauge on the different sections. 

How do you come up for names for your pattern? 
The name of this pattern is also a village close to where I live, I like the sound of the word!

What is inspiring you right now? Do you have pictures, patterns or motifs? 
I’m really inspired by tiles at the moment, a lot of geometric patterns are flying around my head waiting to get out!

Quick, your some yarn! What are you? Why?
Sock yarn of course! Something with a bit of nylon because I work hard(!) and maybe a bit of cashmere because I’m soft and fluffy!
Enjoyed Rachel?  Go over and visit her blog!

This is part of an ongoing series of interviews with Sockupied Designers.  You can trackback to other interviews at:

If you would like to track back to the other interviews they are as follows:

Week of Interviews – Alice Yu and Deuce

Alice Yu has an impressive knitting resume.  She is the owner of Socktopus, and creator of the popular Knit Love Yarn Club.  You my recognize her work by the popular pattern, Shur’tugal or by her book, published in 2011, Socktopus: 17 Pairs of Socks to Knit and Show Off.  Alice has kindly managed to carve out time in her schedule to answer some of my questions.

Alice, tell us a bit about yourself.
I’m an expat Canadian living in Hong Kong by way of London England.  I used to be a lawyer, then sort of fell into knitting, like falling down the rabbit hole. Ever since then my life has been an adventure in knitting, designing and dyeing yarns. 
Deuce has such a fascinating stitch pattern.  Loving working with stranded yarns and slipped stitches, I’m curious how you came up with the pattern.  Did you need to swatch for it very much?

I played around with slipped stitches with my design De Stijl, and thought that it had potential.  Deuce is a follow on from that design, using the same technique.  I played around with alot of different combinations but settled on one that was relatively easy to remember.  
How did you come up with the names for your pattern?
Names for patterns are often inspired by my life at the time of designing, or if the pattern reminds me of something (like Fiori di Zucca that reminded me of zucchini  flowers).
Why do you like to design socks?
I love socks because they are the ultimate portable project. A small microcosm where you can play with all manner of knitting techniques – short rows, slipped stitches, texture, cables, etc.  A great canvas but not overly involved – I have  short attention span so socks are the perfect thing for me.
Are there any things you are hoping to design in the future?
I would like to design some kid’s wear – having a little one has opened up a lot of possibilities and things I would like to see her in but can’t find.
Is there a favorite time of day you prefer to knit?
I love knitting in the afternoon – a nice calm time when I’m not too tired. 
If you were making your own trail mix, what would you put in it, and why?
My own trail mix would have: raisins, a nice 54% chocolate chip, roasted almonds, granola clusters, Brazil nuts (love those), dried cranberries, some cocao nibs, and roasted hazelnuts. 
Having said that, I do love Chex mix.
Thank you Alice for taking the time to stop and chat  with us today.  If you are interested in more about Alice, visit her website at http://www.socktopus.co.uk/blog/.
If you would like to track back to the other interviews they are as follows:

Second Day of Interviews – Kim Haesemeyer and Bowden Cable Socks

Kim Haesemeyer is the delightful designer of Bowden Cable Socks in Interweave’s most current issue of Sockupied.  Kim is a pretty prolific designer, and has a variety of her patterns available at her Ravelry page. She most graciously agreed to answer some questions for me about her socks, and what inspires her.  Without further ado, here is Kim:

How did you come up with the cable pattern?
Simple cables are some of my favorite stitch patterns to knit because with very little effort you have a wonderful new fabric. I wanted the cuff ribbing to naturally flow into the main cable pattern, so I just played with combinations until I found what I thought worked well. Plus, cabling is truly just another fancy ribbing since the pull-in of the stitches creates wonderful stretch to fit your foot nicely. This is also an ideal pattern to practice cabling without a cable needle.

How do you come up for names for your pattern?
Interweave chose the name for me and I love it! Classic with a bit of zing.

What is inspiring you right now?  Do you have pictures, patterns or motifs?
I always have fun finding a particular part of a garment like the silhouette or stitch pattern and wonder how I can rework it for my purposes. What makes this garment work? What do I like about it? Would that stitch pattern a fun body pattern? Or just a hint of excitement along a neck or cuff edge? Would that work for a hat or mitten? 

Why do you like to design socks?
Socks are a great way to try stitch patterns without having to commit to a huge garment. Plus, colors that may be too crazy for you to wear in other ways is the perfect amount of excitement in a pair of socks. Slightly zany socks absolutely brighten my day and even if the world cannot see them, I know they are there. If I am feeling more adventurous, I have seen the clear boots advertised in knitting magazines and thought they would be a fun way to showcase socks.

What do you hope to design in the future?
The exciting (and often overwhelming!) part of knitting design is how there are so many possibilities. I look forward to learning different sweaters and as well as other types of heels and toes in sock knitting.

What is your favorite item to knit?
I enjoy accessories because you can splurge on fancy yarn a bit if there isn’t too much yardage. I love to knit socks for the same reason — often just one hank makes the perfect pair and they travel well without taking up much space. Vests are my other favorite because they are so fast to knit seamlessly and they are the perfect layering piece to enjoy nearly year round.

Is there a favorite time of day you prefer to knit?
I like to process my day with my knitting so I have to knit at least for a bit in the evening. I have recently combined my two favorite things, knitting and reading, by listening to audio books. Why it took me so long to figure this out, I don’t know. Before I could only do one or the other, but now I can do both all day long!

Quick, your an animal!  What are you?  Why?
The ocean is my favorite and I always thought it would be amazing to explore the seas being a dolphin. Imagine how much they have seen that we know nothing about!

If you would like to learn more about Kim, visit her at her website,  bigskyyarnsandcrafts.com.
To read yesterday’s interview with Claire on my blog visit here.

A Week of Interviews Claire Ellen and Uloborus

Welcome to a week of interviews!  This week I have a special treat for you… I’ll be featuring interviews from various designers from the latest issue of Sockupied.

Today, Tuesday, we have an interview with Claire Ellen, who created the truly stunning Uloborus Socks.  Claire is currently in Hungary in Karcag, and writes very eloquently about her experiences abroad.  And without further ado, I’ll let Claire tell you about her Uloborus Socks, and the process they went through before they became what you see in Sockupied today.

One of the things I love most about designing socks– any socks, all socks, all the time!– is that each element of the knitting can have a different motif or idea. A sock has so many different planes and angles, and each one can host a different pattern or the same pattern or a combination of different ideas. I love that the foot can be different than the ankle; the gusset can host a pattern or be plain; etc. The possibilities are endless. 

I was an English major in school, and an English professor once I graduated, and I love finding connections in novels and poetry. When I began playing with yarn, it was a simple process to include literary connections– they’re the two things I love most. Sometimes the connections only make sense in my brain, but it’s as though I can see a knit pattern that embodies some theme or character from the literature. It began when I saw a yarn at The Swift Stitch (my LYS in Santa Cruz) that just screamed Gimli, from the Lord of the Rings. That began my designing whirlwind, and it just keeps getting better! I’d never have dreamed that this silly little hobby of mine combined with an obsession with literature would result in such a degree of fame and fortune. Ha! But seriously, this was all really unexpected. 

As far as the Uloborus socks go, well, they’re really a continuation of the Lord of the Rings series of socks that I thought I had finished. I don’t know if it makes any sense to anybody else, but the collections of patterns are broken into groups of characters I thought went well together– The Fellowship of the Nine was an obvious starting place. Then came what I think of as the “Other Heroes” then “The Ladies,” and finally, a small (but hopefully growing soon) collection from The Hobbit. People were pressuring me to do a “Villains” group, but I’d had enough. I just don’t like the villains. Because, you know, they’re villains. Besides, I thought, how much black yarn can a person knit with? Anyway, I’d thought the collection was finished, and I wanted to knit other things. 

But Shelob (Tolkien’s big spider monster) got under my skin. Scary thought, that! I’d seen several spider-themed socks on Ravelry, and they’re beautiful! But none of them really captured the creepy-ick factor of Shelob in my mind. So I started swatching. And reswatching, and playing around with cables, then with lace, and then bam. It just happened. I was looking through a stitch dictionary, and there it was. Perfect! Just the right amount of Creepy-ick, with some beauty and some delicacy thrown in for good measure. The pattern needed a bit of fiddling, and I needed some additional stitches to fill out the sock, but I just knew this was it. 

Sockupied contacted me the day that I finally got the ankle swatch to work the way I wanted it. They were looking for submissions with a short deadline; I was playing with a stitch pattern, but also planning a move from California to Budapest! It’s a good thing these socks practically knit themselves, and the staff of Sockupied were so helpful, or they’d never have gotten finished up. As for the name, someone at Sockupied came up with “Uloborus” which is a super icky tropical spider of some sort. Good, eh? 

Working on these socks has left me wondering if I might not just return to Tolkien as a source of inspiration and do some villain socks after all. The Mouth of Sauron has a certain horrible charm to him that might translate well to a sock. Right now, though, I’m working like crazy trying to adapt to a new country, new language, sparsity of sock yarn, and a whole host of other issues. I’ve also got Shakespeare on the brain of late, and several socks published, in process, and being tested that borrow from the “Sweet Swan of Avon” for inspiration. 

I began designing socks on a lark. It was something to do with my evenings while my family watched basketball finals or CSI reruns. How could I have guessed that I’d love it the way I do. I’d rather knit socks than just about anything else. I’d do it whether anybody else ever knit my designs or not, and I’ll keep on doing it till it’s not fun anymore.